Part 1: King Robin, Cock Robin, and Robin Hood
You’re reading Part 1: King Robin from Manx legend Just recently, I found a fascinating song from the Isle of Man concerning Robin Hood’s wooing, and reminiscent to the extreme of Robin and Jenny Wren rhymes. This is not the first time I have found survivals of the Robin Hood legend in Manx. Manx is a type of Gaelic which is practically the same as normal Irish and Scotch Gaelic, only unfortunately (Manx, forgive me) misspelled. The difference between Irish spelling and Manx spelling would be closest to the distinction between English spelled as I am here spelling it, (with all the accumulated sounds in each word which we have stopped pronouncing, but which used to be pronounced, so that “enough” was originally pronounced “enouc") and English spelled phonetically, so “of” would be “uv” I therefore have been bucked by Manx before. This time, however, I was able to translate it into proper Gaelic and improve the English translation, both of which you may read here:
Part 2: King Robin, Cock Robin, and Robin Hood
Read Part 1: King Robin from Manx legend You are reading Part 2: Cock Robin’s similarity to King Robin As we remember from my post on Robin Hood’s original audacity, Robin’s first lady, Moggy, betrayed him to his foes and deserted him. After recovering from this, Hood became desperately taken with a girl variously known as Jenny, Janet, Joan or whatever. You will notice, in all the Cock Robin and Jenny rhymes below, that Robin is more human than bird: (I have emphasized the parts which correspond best to the Manx above, and also the point in which Cock Robin has a horn)
Part 3: King Robin, Cock Robin, and Robin Hood
Read it from the beginning: You’re reading Part 3: Cock Robin’s explicit links to Robin Hood.
The Mourning After
McCain, if you ever read this, I cried when you lost the election. I did everything I could at the end, and I talked to everyone at our poll from 7:00am to 7:00pm and you were on top in the backwoods of St. Louis where I dwell. Your concession speech absolutely broke my heart. Thanks for your noble example. Thanks, John McCain. You’re a true American. You would’ve led America in good and right. I said you had character. The way you spoke in defeat proved that. And I don’t care what the media says. Here, Obama, I drink to your health! It is very bitter tasting. Obama isn't Robin Hood
As we have seen my previous post below, Robin Hood’s original audacity was not robbing the rich to give to the poor. So, we have Obama.So, we have Obama.So, we have Obama.So, we have Obama.So, we have Obama. First of all, Obama does not seem to like free market capitalism. Obama says:
Give more? Uh-oh, really the idea is “take less". Are we so alone in the capitalistic system that we must surrender our persons and rights to the government? Here’s more of what he says:
So what is Obama’s new philosophy?
“I think when you spread the wealth around, it’s good for everybody.”
Robin Hood's Original Audacity
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Well, let me tell you about who Robin Hood was originally. Cut the medieval story: by 1200 AD at the latest he was already a legend in England, with people taking on his name. Through many long hours and days and months of research I have gotten down into the heart-depth of the Hood legend. I have looked at English folk-plays, nursery rhymes, dusty ballad collections (400 years dust, I mean), and place name legends, plus taking into account the Gaelic and Welsh versions of an ancient song which mentions Robin and Shaun (or Sion if you’re talking Welsh). And Bold Archer, the third ringleader in British folklore. You have: Robin Hood, Little Shaun and Bold Archer, the Brothers Three. Point: I have determined that Robin Hood lived in pre-Christian Britain. You know how he’s always supposed to be in conflict with the clergy? In pre-Christian Britain, that’s going to be … pagan priests. It actually gets worse. Robin Hood’s uncle was Hind Horn or King Horn or if you prefer dodgy medieval spelling: Kynge Horne or Lord Heathen! What I Did All Summer
Well, looking back on my summer, I would say it was well spent. Besides writing and writing, I began taking coursework towards my B.A. in Archaeology through distance correspondence from Leicester University, U.K. This isn’t to say that I am turning into an academic, however. My reason was to experience myself with what the diggers actually find in the ground. This is not something covered very well in history books, and it is a piece in the puzzle. For instance, you can learn in ancient Irish folklore that birds were highly important and symbolic. A cloak of bird-feathers would be a sign of rank: i.e., the reason that a very old dialect of Gaelic was outlawed was that two bards got in a quibble over who got to wear the feather-mantle, and so a prolonged argument was made over it before the residing Chieftain. The Chieftain and his retinue were baffled because of the antiquity of the “lawyer tongue” and henceforth it was disallowed, so that anyone hearing his case argued would be capable of understanding it! However, the significance of birds might be left there, if we were confined to mere records and histories. One would never discover that the bird was quite important in “Neolithic” times, or in “Late Bronze Age” Urnfield European material culture. Look at this link on page 265 for a fascinating picture of a bird-chariot. And while we’re on the Urnfield (Eastern European) culture, take a look at this boot vase—pretty neat! So, I took the course, and am pleased with it. I was especially pleased by the open way my workbooks discussed things in relation to outdated 19th Century theories. Instead of declaring the notion of ‘ex oriente lux’ fact, (a theory which says that all innovation spread like light out of the Middle East), the course mildly stated that copper-working in particular had totally separate origins in Eastern Europe. Of course, the research papers were stressful, but I guess that’s the college experience. More of my conclusions will be forthcoming. End of additional Re-write
Due to helpful comments on the first chapter I submitted to the ACFW Genesis contest, I added a new first chapter and re-wrote the one I had submitted. Then I got some great ideas about my main character, Tiwyr. When I wrote the last draft, I wrote about 900 pages straight. It was pointed out to me that the general publishable limit just now is 450 pages. So, when I found that the book cracked neatly in twins, I confronted the fact that I had just written two books! The first book’s name has been changed. It is now Wolf’s Bard, the Wolf being Tiwyr (known fondly to his warband as Lord Wolf), and the Bard being Arlok. I may include here that my brother Leighton came up with the title. The second book, Skla`tza and Flame, is about Shaun—a red headed rogue who is trying to decide what and who to follow. My style improved drastically on him. Such a huge amount of creativity and inspiration went into that, I don’t think I ever want to change it. When I say change, it usually means total re-write! So! Then I swung around to the beginning of that 900 pages, and I said: hey, the Genesis folks were right, I gotta work on Tiwyr’s background, and I really gotta (my own idea here) work on Tiwyr, cause this can really be done better. I have done Tiwyr. I am pretty pleased. Soon I’ll get that new first twenty pages out! New Website For Our Celtic Band
We have finally setup a website for our band! ![]() The band’s name is Wren Song, and you can check it out by clicking here! Come See Us Perform April 5th & 6th !!
My brother, sister, and I will be performing at the 2008 Missouri Tartan Day Festivities this coming Saturday and Sunday (April 5th & 6th) in St. Charles, Missouri in Frontier Park. Entrance is FREE! ![]() We are performing musically three times under the band name “Wren Song":
And we will be putting on two educational presentations as well:
Come and hear some Harp, Bagpipe, Bodhran, Tinwhistle, and Gaelic Singing of the Scottish Highlands! :: Next Page >> |
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